Inspired by the discussion of Zong! in this course and by the lecture on poetry, I chose to create a piece of found poetry connected to NourbeSe Philip’s work. The poem below is composed of words from the following quote found in Zong!, in the chapter entitled “Notanda”, where NourbeSe Philip writes:  “Our entrance to…

This portrait of a Creole woman is made of thirteen different seeds on a side of an old cardboard box. Taking an ethnobotanical viewpoint, the aim of this portrait is to visualize the intermingled identity of Creole beingness, both on a cultural level as well as on an ecological level. Since 1492, plants, people and…

To offer a cultural map of the Caribbean, the archipelago profoundly characterized by transculturality and historical, political, social and other kinds of entanglements and Creolization, I used The Salt Roads, written by Jamaican-born speculative fiction writer Nalo Hopkinson, as a point of departure to offer a rendition of the ways in which sociopolitical, cultural and…

For a long time now, I have wanted to create an overview of key writers that I encounter during my studies. I will often recognize the name, but be unable to place the writer – where they are from, what their key writings are etc. The cultural map that I have created has been the…

This map is a geographical representation of the authors cited in Edward Kamau Brathwaite’s “The African Presence in Caribbean Literature”, Dadedalus. I have added some information present in Alison Donnell’s “’The African Presence in Caribbean Literature’ Revisited: Recovering the Politics of Imagined Co-Belonging 1930–2005″. Brathwaite distinguishes four kinds of written African literature in the Caribbean….